Selected Publications

Journal Articles

June 2021          ✪ Anna Ridler: A Contemporary Tulipmania. G. Aloi (ed.) Antennae: The Journal of Nature in Visual Culture. (Chicago: Antennae Project). (DOI: http://dx.doi.org/10.17613/na5n-0598)

Jan. 2019           Raubkunst at the Ringling: Franz Marc’s Schöpfungsgeschichte. M. Belevan (ed.): Lapsus Lima. (Lima: Diacritica). (DOI: http://dx.doi.org/10.17613/zcfm-5c32)

 Dec. 2018          Something in the Way: Season of Love (Patricia Cronin, Yayoi Kusama, Robert Indiana) at Tampa Museum of Art. J. Martinez (ed.) ArteFuse. (Brooklyn: The Border Project Publishing).

Feb. 2018          The Tempest and the Savages: Franz Marc, Hugo Ball, and a Decisive Moment in Expressionist-Dada Theater with a Special Appearance by August Macke – D. Enck (ed.): The Empty Mirror Special Arts Issue. (Seattle: Empty Mirror Books). DOI: http://dx.doi.org/10.17613/M6DP0R

 Sep. 2017          Affen in Eden– C. Virchow and M. Kaiser (eds.): Avenue – Das Magazin für Wissenskultur, Volume 4. (Basel: Verein Freunde der Avenue). (ISSN: 2297-9689)

 Sep. 2017          ✪To Never Know You: Archival Photographs of Franz Marc and Russi Marc– G. Aloi (ed.): Antennae: The Journal of Nature in Visual Culture, Volume 41. (London: Antennae Project). (ISSN: 1756-9575) ) (DOI: http://dx.doi.org/10.17613/M6R49R)

 July 2017          Between Something and Nothing: Franz Marc’s Authorial Ether – D. Enck (ed.): The Empty Mirror. (Seattle: Empty Mirror Books). (DOI: http://dx.doi.org/10.17613/M6D49N)

Aug. 2017         ✪Alfred Flechtheim: Kunsthandler der Moderne – I. Racz (ed.): Journal of Visual Art Practice, Volume 17, Issue 3. (London: Taylor & Francis). (ISSN: 1758-9185 | DOI: 10.1080/14702029.2017.1366691)

Sep. 2016          The Wreck of Hope: Visual Activism in the Time of Mass Extinction – L. LeBlanc and Pearl, Z. (eds): KAPSULA. (Toronto: Kapsula Press), 39-46.

May 2016          ✪Eyes Be Closed: Franz Marc’ „Liegender Hund im Schnee“ – A. Ilic (ed.): TextPraxis: Digitales Journal für Philologie, Band 12. (Universität Münster Verlag, Münster).

Nov. 2015         ✪„Der Sturm“ und die Wilden:  Franz Marcs Entscheidungskampf mit der Theatralität – K. Eichhorn (ed.): Expressionismus, Band 2. (Neofelis Verlag, Kiel). (ISBN: 978-3-95808-005-8).

Feb. 2015          Channeling Franz Marc in the Prelapsarian Longing of Joan Jonas and Lee Lennox– L. LeBlanc and Pearl, Z. (eds): KAPSULA, (Kapsula Press, Toronto), 17-26.

Books and Book Chapters

Nov. 2020         ✪Franz Marc’s «Recueillement» as Resistance and Recovery – R.A. McDonald and J. Hollenbach (eds.): Re/Visioning Depression: Creative Approaches to “Feeling Bad”. (Basingsroke: Palgrave Macmillan). [In Review]

 June 2020         ✪Frida Hansen’s Metamorphoses in Jugendstil. K. Reaves (ed.) She is no gentle lamb in the cave of the werewolf: Women artists in Scandinavia, 1900-1960. (London: Routledge). [In Review]

Nov. 2019         Lost, or a Lost Cause? A Case Study of Franz Marc’s Schöpfungsgeschichte II and Geburt der Pferde at the Ringling Museum and Parallel Commentary on Turm der blauen Pferde – M. Quinkenstein (ed.): Looted Art as a Realm of Memory. (Frankfurt: Peter Lang).

 Aug. 2012          ✪ Franz Marc as an Ethologist. (University of South Florida Scholar Commons, Tampa). OCLC: 811343086. (Citations: 4)

Nov. 2019         ✪ Artistic Visions of the Anthropocene North. Climate Change and Nature in Art by Gry Hedin and Ann-Sofie N. Gremaud. (Routledge: London, 2018). Sehepunkte Rezensionsjournal für die Geschichtswissenschaften16, Nr. 11: (ISBN 978-1-138-23263-1)

Sep. 2019          Bauhaus Imaginista Frames the Weimar Academy’s Centennial as a Contemporary Legacy– J. Martinez (ed.): ArteFuse (Brooklyn: The Border Project). DOI: http://dx.doi.org/10.17613/dftw-sp31

May 2019          Firelei Báez at the Mennello Museum of American Art – J. Martinez (ed.): ArteFuse (Brooklyn: The Border Project Publishing). DOI:  http://dx.doi.org/10.17613/p4em-gn52

May 2019          Fear of a Black Mountain: Tampa Museum of Art’s Elevation of Abstract Expressionism– J. Martinez (ed.): ArteFuse(Brooklyn: The Border Project Publishing). (DOI: (http://dx.doi.org/10.17613/5m20-4d35)

 Dec. 2018          Bill Viola:Life After Death at the Stavanger Kunstmuseum– J. Martinez (ed.): ArteFuse (Brooklyn: The Border Project Publishing).

 Oct. 2018          Luxury and Modernism: Architecture and the Object in Germany 1900-1933 by Robin Schuldenfrei. The Empty Mirror (Empty Mirror Books, Seattle). (DOI: http://dx.doi.org/10.17613/M6JD4PP3F)

June 2018          Stereo Lab: An Experimental Pairing of Larry Bell and Jesús Rafael Soto at the Tampa Museum of Art. ArteFuse (Brooklyn: The Border Project Publishing).(DOI: 10.17613/M6M61BP46)

April 2018         Robert Lowell, Setting the River on Fire: A Study of Genius, Mania, and Character by Kay Redfield Jamison. The Empty Mirror (Empty Mirror Books, Seattle). (DOI: 10.17613/M64K4R)

Feb. 2018          Mernet Larsen: Getting Measured, 1957-2017. The Empty Mirror (Empty Mirror Books, Seattle). (DOI: 10.17613/M65C3M)

Nov. 2016         ✪ Neuerscheinungen zu Franz Marc. Sehepunkte Rezensionsjournal für die Geschichtswissenschaften 19 Nr. 6: (Munich: The University of Munich) (ISSN 1616-6168) (DOI: http://dx.doi.org/10.17613/M6104Z)

June 2016          ✪ Bad New Days: Art, Criticism, Emergency by Hal Foster. Sehepunkte Rezensionsjournal für die Geschichtswissenschaften 16 Nr. 6: (Munich: The University of Munich) (ISSN 1616-6168)

Sep. 2015          ✪The Expressionist Turn in Art History: A Critical Anthology by Kimberly A. Smith. Sehepunkte Rezensionsjournal für die Geschichtswissenschaften, Nr. 9: (Munich: The University of Munich) (ISSN 1618-6168)

July 2014           ✪The Cry of Nature. Art and the Making of Animal Rightsby Stephen F. Eisenman. Sehepunkte Rezensionsjournal für die Geschichtswissenschaften 14, Nr. 7/8: (Munich: The University of Munich) (ISSN 1618-6168)

Museum and Provenance Documentation Reports

Feb. 2019          ✪Raubkunst at the Ringling. A. Webber (ed.): The Commission for Looted Art in Europe. (London: The Central Registry of Information on Looted Cultural Property 1933-1945.) (http://dx.doi.org/10.17613/z6gj-4b35)

Feb. 2015            Ein Manifest der Freundschaft– Trang Vu Thuy (ed.), “Blog des Lenbachhauses,” Städtische Galerie im Lenbachhaus und Kunstbau, Munich, Germany.

June 2013            Ideological Objects: Zum Vortrag von Isabelle Graw Der Wert des Lebendigen. Malerei als indexikalisches Medium in der neuen Ökonomie, (ed.) Althaus, K., The Lenbachhaus, Munich.