Franz Marc and his dog: “To Never Know You”

Franz Marc and his dog: “To Never Know You”

My article related to Franz Marc and his dog, “To Never Know You: Archival Photos of Russi and Franz Marc” has been published in the Fall 2017 issue of Antennae: The Journal of Nature in Visual Culture.

Here is the abstract for the story about Franz Marc and his dog, which also contains some valuable personal insights on vernacular photography from other scholars and benefited from the questions and comments from my Doktormutter Cecilia Novero:

This essay examines photographs of the German Expressionist artist, writer, and Tierliebhaber Franz Marc and his dog, Russi, taking the position that one of the most obvious characteristics of Marc’s life his – affectionate and respectful relationship with Russi – has been largely overlooked, though its documentation is clear. I extol the value of what are normally categorised as snapshots in reconstructing animal and human biographies. This raises questions about what photographs are valuable to such research, and why some are used repeatedly and others ignored. Significantly, a previously unknown photograph of Marc taken by his brother Paul in is published for the first time.

Mainly I had wanted to write about discovering this photo of Franz Marc in the DKM/GNM, so here it is again:

Franz Marc and his dog

Franz Marc, 1914, in Munich. Photo by Paul Marc. Germanisches Nationalmuseum | Des Deutschen Kunstarchivs | Nürnberg

Franz Marc and his dog: “To Never Know You”

Franz Marc Photo Discovery

Much as I enjoy burying the lede, the headline on this story is that I found a heretofore unpublished photo, and this is the Franz Marc photo, taken in the spring of 1914 by the artist’s brother, Paul Marc, in Munich:

Franz Marc photo

Franz Marc, 1914, in Munich. Photo by Paul Marc. Germanisches Nationalmuseum | Des Deutschen Kunstarchivs | Nürnberg

The whole story of finding the Franz Marc photo and a thorough analysis of why it might be that significant images of people and animals are overlooked is forthcoming in the second part of the “Exposing Animals” sequence of Antennae: The Journal of Nature in Visual Culture in September, and this photograph and some others will be reproduced there, but it is also appearing in a different kind of work I did for Empty Mirror Books that comes out this week, so I decided to post it, finally (I first found it in 2015!), here today.

Beyond standing as a strong reminder that there is so much we have not yet learned about the historical avant-garde, this is just a wonderful photograph, “eerie and magnificent,” as Marc would say, so I will just leave it at that for now.