by Jean Marie Carey | 26 Aug 2012 | Animals in Art, Art History, Franz Marc, German Expressionism / Modernism, Music, Re-Enactments© and MashUps
Apollinaire was very popular in Bonn and in Berlin, where he befriended Herwarth Walden, who, among other things, occupied a societal role similar to that of Apollinaire. Apollinaire also wrote and drew quite prolifically, of course, in addition to being a tastemaker around whom a circle of other artists and authors coalesced.
In early 1913, August Macke was very excited when not only Apollinaire but Robert Delaunay (and later Max Ernst) came to hang out at his place. Apollinaire spoke German very well, also. Anyway, AM just loved these guys, and generally began trailing them around and writing to them all the time and so on.
There is much more to this story, some of it very exciting, and be assured I will get to it all shortly…
However not everyone was enchanted by Apollinaire. That “not everyone” included, well… for the immediate subject at hand, Franz Marc. FM actually had little use for Delaunay, after a (short) while, either. During 1913, FM pesters Delaunay with tons of perplexing, unsolicited criticism, finally in one outburst declaring that RD wasn’t a very good writer, either.
Apollinaire did like FM’s work, but FM kept a distance. Today upon discovering that it is Apollinaire’s birthday, well, what can I say? It explains a lot. Here is a very comprehensive if somewhat outdatedly designed Website about Apollinaire.
AM finally told FM, basically, to stop embarrassing him in front of his cool new friends. FM pointed out that it was he who had introduced these three to one another, and, that also, RD was kind of a jerk, refusing to give AM anything but a scrap of used drawing paper (like literally AM was begging for any type of memento and that was what RD let him have!). Anyway, RM and AM fought all the time as it was, so this altercation of course could not be resolved swiftly or in a few words and continued over the course of some petulant correspondence and huffy silences…full citations to come. FM was jealous, of course, but also he hated to see AM fall in with people he thought embodied the worst characteristic of all, that of being fake.
Fortunately, since everything that has happened before will happen again, this throwdown has been re-enacted by two parallel characters in one of the most important documentaries of our time (it had to be peddled as fiction because of the potency of its truth), Mean Girls (2004).
Above is the epic scene in which Janis Ian (as FM) confronts Cady Heron (as AM) [we won’t even get into the whole LiLo thing here, or about… nevermind) about being plastic…
With a special guest appearance by Damian as Helmuth Macke.
by Jean Marie Carey | 3 Sep 2011 | Animals in Art, Art History, Music
If Cut Copy had 24 albums I would probably listen to Cut Copy all day and all night all the time…as it is hardly a cycle goes by that I don’t hear all or parts of Bright Neon Like Love (2004), In Ghost Colours (2008) or Zonoscope (2011).
Though Melbourne-based Cut Copy is most often washed with the ‘referencing the ’80s’ brush I think it is more apt to say the ‘reference’ is less by way of the [film versions] of Less Than Zero than The Informers — a time and place that never existed removed by memory. And while Cut Copy’s hooks and basslines are superficially poppy, the intentionally stuttering four and eight count measures are demanding of engaged listening.
Zonoscope in particular seems symphonic in the way it is presented as an arc, even without some of the ambient noise segues so prevalent on In Ghost Colours. If IGC was lyrically about the limitations of primary relationships to conquer doubt and isolation, Zonoscope is immersed diametrically in stealthy hope and crushing disappointment that is more internally oriented/externally directed.
Although these three albums are very distinct — mostly owing to the decreasing emphasis on guitars to propel melodies — Cut Copy’s mainstay continues to be danceable, or at least move-able, complicated synth pop of incredible harmonics and density. Dan Whitford is able to pack an epic amount of yearning and escalation into both arrangements and vocals; the devastating release of Hanging on to Every Heartbeat begins at the 2:00 mark of the 4:30 song. The descant, and the change in meaning of the chorus, almost makes me sick it’s so upsetting, and that’s a pretty good shake-up from what begins so cheerfully.
Zonoscope re-presents Cut Copy in a sort of Symbolist ethic, with an interest in the macabre and in hermetic, already-nostalgic technology. Here is a link to listen to Hanging onto Every Heartbeat. Also Cut Copy will play out at the Firestone in Orlando on October 1!
Though Keane is mostly known in the U.S. for the single “Bend and Break” from 2004’s Hopes and Fears, the 2006 more electronics-driven follow-up, Under the Iron Sea, is also a pretty good album. I had only heard UtIS on iTunes and dataheaven.us and so had not until recently (when I saw it in the library) become aware of the fantastic cover design(s) by Sanna Annukka.
by Jean Marie Carey | 8 Feb 2011 | Animals, Animals in Art, Art History, Dogs!, Franz Marc, German Expressionism / Modernism, Italian Greyhounds, Stuff Found in Library Books
Fabeltier, Franz Marc, 1912
This is a really big week for birthdays: Bob Marley on 6 February (1945) [“it takes a revolution to make a solution”] and Saint Thomas More on 7 February (1478). More and more scholars agree ...the New Isle Called Utopia is a true socialist manifesto and I concur!
Most importantly though, 8 February (1880) is the birthday of painter, writer, animal sanctuarist, soldier, and millinery fashion icon Franz Marc.
Fabeltier (1912) is a plate from Der Blaue Reiter. Is the image a tiny (Italian Greyhound-looking) fanciful creature by a regular-size strawberry, or a giant strawberry with a little dog, or something else? I don’t know; it’s just fun and mysterious. Marc made a few illustrations like this called various iterations of Fabeltier but like gargoyles the animals resemble dogs, horses, lions…I especially like this one but they are all fantastic.
